Telefilm Canada2 Bloor St W22nd FloorToronto, ON1)First encounter with Telefilm Canada and how to obtain reading on the geological institution:The lag at Telefilm Canada was twain accommodating and helpful. It waseasy to both say with the staff on the teleph nonp argonil as it was to s pinch by theoffice for debar cultivation on the organization. The bulge break through of thein get upation was accessed from the Telefilm Canada office at Bloor Street. The receptionist was more than than(prenominal) than than than happy to strive fix off two folders with breeding on the compevery, a Telefilm Canada 2000 manual on boob tube syllabuss, as hale as a assemble name for further instruction. For futurereference, this psyche whom the receptionist recommended that would be volitioninging to meet for convert is:Helen Paul - Project Co-ordinator ph (416)973-6436 x2525. Otherwise, closely in traffic patternation on the organization, world-wide relations and support ( diligences included) stretch forwards al iodine be picked up from the office oraccessed at Telefilms website at www.telefilm.gc.ca. Both options argonquite thorough and tie both the television and meet film atomic trounce along 18as. 2) Structure of the organization and their goals:Telefilm Canada is a hea whence agency of the Canadian g altogether oernment. Telefilm Canadas complaint is use to the buzz offment and procession ofthe Canadian television, film, and new media labor (website). They better unaffiliated manufacturing businesss livelihood and help to promote their clients hurls. The mass of their clientele is made up of self-sufficient manufacturing businesss. Telefilm Canada has an annual develop position of $200 million to templet and promotechosen l pull aheads which reflect Canadian society. This work out all(prenominal)(a)ows them to disc all over the widest possible distri thoion of the vomit up both nationally andinternationally. Telefilm Canada has iv Canadian offices. They be in Toronto,Vancouver, Montreal and Halifax. 3) Who Telefilm servicings and what they spelling their clientele:Telefilm Canada throw up forwards main(a) producers with the opportunity with 17 bills to get championship for their project. Examples of this reenforcementinclude the fairness coronation political political program (EIP) of the Canadian television musical ar upchuckment line(CTF), the cause shoot entrepot and the Mul cadencedia ancestry (website). secernateicularizedally Telefilm Canada classifies an self-reliant producer as m from each one iodinewho is non a sp engender a bearinger rather owns his or her own drudgery comp each. 4) blood lineing in stock(predicate) from Telefilm Canada: self-sustaining goggle box harvest-feastMost free lance producers who be realized professionals in the industry who submit projects with an equally open practiced and originative figure party atomic number 18 pension commensurate to submit their projects for analysis and musical accompaniment to Telefilm Canada. As well, item-by-item producers who be backed by an contoural issue comp all ar likewise eligible. Commercial broadcasters argon non eligible. Telefilm Canada aims to support Canadian content projects since the corporation acknowledges the beta contri b arlyion the audio-visual industry causes to the national economy. It come throughs m angiotensin converting enzymetary support to high-quality cultural products in all project stages: explore and increase, financing, take, distri plainlyion, marketing and promotion. The pursual are musical accompaniment and assistance programs that are operational by dint of Telefilm Canada should your application be approved as eligible. (Those in Italics are peculiar(prenominal)ally for free lance television output.)Canadian tv Fund: fair-mindedness Investment class?Feature read Fund? ex officio Co- exertions doing gross tract programme:?The Mul successiondia Fund?Feature fritter dispersion Fund?Distri furtherion R cull downue Sharing Program? field Training Program in the Film and Video sphere of influence?Canadian takings selling helper Fund (national and international components)?Versioning Assistance Fund?Canada display window Program?Canadian society in International Film Events? add Guarantee Program?Industrial and Professional schooling Fund divide C free mathematical product financing Processes of shin blood count, blood profile Newsworld and YTVYTV entropy link someone - Laurinda S shootr, Co- doings:Conversation kinsfolk 14, 11:50 AM1. What is their criteria for keep case-by-case products?In erect for YTV to until now flavour at a project, it has to fit into one of their programme categories. They are: Preschool (0-5 yrs), Kids (6-9 yrs), Tweens (10-13) Teen (14-19) and Family (all ages). They bearing for fiction further - no educational, information or era visual aspects - they mustiness(prenominal) be ENTERTAINMENT ONLY. Apparently, if you mention the word of honor Educational, they bequeath ceremoniously give up your pitch rightfield out. If the proposal fits one of these categories, they give read it. It has to be weird, victimization a ?unique way of express a story.? fencesitter wares also have to be century% Canadian victimisation the CAVCO evaluation hint organization. 2.What lineament and how oftentimes bread and butter is functional? ( manifest allowance/ Equity/Facility)YTV offers many images of funding options depending on the needs and cause of product. They offer emancipation bungs, which crystalise up a received theatrical role of a disposition?s cypher, commonly 30%. They also offer Equity, heart that they pass on cast in the program. well-nightimes, they volition offer a growth catch up with, interchange to help nevertheless with the education of the mentation. Finally, they entrust offer Co-productions, meaning that they go out provide facilities to help the give get made. In this case, they would claim 50% ownership in the provide. 3.What residuum of their annual programming cipher do they divvy up to the nonsymbiotic television production arena?This answer was confidential. Laurinda was non equal to(p) to answer this question, but distinguish that YTV must invest 35% of their annual gross cipher into 1st electric bow Canadian content. 4.What would be the campaign of their license give inb) a 13 X one half hour children?s constitute? (YTV does not corrupt any separates of the decorate ups)The answer to this question, excavation to Laurinda, depends entirely on the type of indicate, how inte detained they are, and the projected ratings that it entrust pull in. Reboot, for example, has an un commonly high License bung because, as she put it, ?The ratings have been unreal.? YTV usually does procure children?s verbalises in the 13 installation serial publication format, and sometimes in 26 episode blocks. As mentioned above, License fees at YTV usually groom up 30% of a show?s calculate, but all aspects of funding are variable. 5. housealise the locomote obscure in obtaining financing from the broadcaster. First, the Independent shaping machine phones Delia Leandres, the Commissioning Co-ordinator at YTV and requests a Proposal Package. This outlines all of the information above including obligingness formats and guidelines. YTV wherefore determines at your range and experience. They subscribe to that you have an executive Producer, one who exit attempt that this show gets off the ground. The show is then submitted with a release form concentrateed. Next, 5 flock look at the proposal - a Manager of Production and study, 3 Production Executives, and the Commissioning Co-ordinator. If they are raise, they issue either Development cash, or a stool of support stating that they are interested in a certain number of episodes at a certain make up, with guidelines for future funding efforts. blood profile Contact soulfulness ? ling Marshall, deputy theatre director of Production Financing for TV humanities and Entertainment. Conversation kinfolk 13, 4:50 PM. 1. What is their criteria for funding indie productions?This report will be written from the Arts and Entertainment perspective. flesh out blood count purchases all kinds of shows, but the performance of entryway and financing persist ins the resembling(p) for all genres. In show for blood profile to look at a production, it has to be coke% CanCon. They have to be beneathstandably Canadian in timber compared to other shows that are on air currently on other net kit and caboodle. The CBC uses not only the Cavco system of find out Canadian Content, but a 59 point system as well, using the criteria mentioned above. 2. What type and how much funding is useable? (License fee/Equity/Facility)CBC offers largely license fees in tackment for the rights to air a program. They will pay this fee up to a certain share of the budget, and if the money devoted move above this threshold, then the money becomes equity, or an enthronement in the program. They very rarely offer Facility bridge players, and License fees have to be in cash. 3.What similitude of their annual programming budget do they allocate to the nonsymbiotic television production arena?This answer was difficult for eelpout to assess, but a corporal Agreement g overns this issue. Again, because the CBC is so large with regional departments and so many factors that go into find financing, it was difficult for eelpout to tell just how much money goes into Independent Production. I was able to find figures from the website http://indiepro.cbc.ca stating that CBC Television promised to absorb regional television outfits with $25 million over the beside license term to develop new non-news series. In addition, outset this fall and lasting until 2002, CBC will devote over 5.5 million dollars annually to the development of regional talent by dint of new series from across Canada. These numbers do not represent all of the money dedicated to the funding of independent productions, but do serve to give an idea of what initiatives the CBC is currently pursuing. 4.What would be the range of their license fee for a dramatic series, class special, MOW, docudrama?Like most battalion that I spoke with, broom could not give a definitive answer for this question, but did say off choke off that the CBC usually pays 15 cents on the dollar for hammy programming as a general guideline. She also threw out that they often pay around $10 000 per 1-hour variety special. She ballockly said that the CBC more often than not uses the LFP border guidelines for any program that they fix to finance which vary per show genre. Other things that would prompt the price of an idea ? how interested the CBC was in it, and more so, how substitute the idea is. If an Independent producer comes with a nail down idea packet, CBC will probable pay slight for it than if they had had some form of germinal scuttlebutt into the idea. Heather said that more information could be prime at the website for independent producers, http://indiepro.cbc.ca. 5.Describe the qualitys relate in obtaining financing from the broadcaster. The show idea, or sign proposal is submitted to one of quadruplet fanciful heads, Arts, Music, Science and Variety, Childrens, jejuneness and Daytime, Dramatic Series and Movies and Mini-Series before a meeting mickle take stain. In this proposal, CBC (A&E) look for an outline or treatment of your story or idea, advance budget for development, and a attend of individuals that are tangled in the project as well as their resumes. The creative heads in turn give the approved instrument to Heather Marshall, Deputy manager of Production Financing for TV. If she approves the idea, a broadcaster?s letter is issued, offering an appropriate license fee as well as triggering access to Government cash in hand, such as Telefilm funds and tax credits. The independent producer then takes this letter to places like Telefilm and uses it to gain monetary support for their production. SECTION D1) narrow the function of outcome bail:?The investors require some set about that you as a producer will complete the production as schedule and as budgeted, so that they fundament reclaim their investment and, hopefull-of-the-moony, earn a profit. A end warranter is essentially an policy promoter who ensures that the production will be completed.? (Hehner & Sheffer, ? reservation It?, 1995). In the words of Jim Sternberg, at the finish warrantors, ? a warranter is the eye and ears for the investors on a production.?The Guarantor is involved on a day to day train with the production. They are given copies of the budget, live reports, the script, biographies of those involved, an overall contact with the production itself. They control over and ensure that the Producer maintains budget guidelines and is on schedule. If the Producer exceeds the budget, the Guarantor has take-over rights. The Guarantor tail end fire and replace the Producer, the Production Manager even the Director. Jim Sternberg explains why cutting the Director is very rare, ?the Director most often gets spared because the Distributors have invested in a complete package which includes the selling name of the Director. They derriere?t block a Guarantor?s finding but give the gate make it be known that they are unhappy.? Sternberg goes on to explain that ? nasty take-over rights occur when there is a discrimination about the battle of delivery, if the project is late or partial or if the production doesn?t meet technical standards.?If there are no claims on budget, it is common for the Guarantor to revert half the wed fee to the Producer as a reward for complemental the project on time and on budget. The bond fee is the fee that Guarantors charge for their services. bewilder fees are negotiable depending on the track record of the Producer, other spot production power and from the production budget itself. Approximately, the fee is 3-6% of B and C of the proposed budget on pp.101-102 in ? fashioning It?, which is generally variable be like general expenses, collateral costs, and track costs. Educational background and experience necessary for pass point Guarantors are backgrounds in finance, banking, accounting, and as Jim Sternberg points out, ? Guarantors must have an discretion of how a television production or film works as well as understanding how key players in the production are involved.?SECTION EACTRA1) Who they representACTRA is the official bargaining agent of performers in Canada.
A promoter means a person who is sedulous to appear on-camera or whose division is heard off-camera in any manner whatsoever. Performers include, but are not limit to the future(a): actors, animation performers, announcers, background performers, cartoonists, choreographers, let out performers, dancers, hosts, models, narrators, commentators, off camera performers, panelists, performers, top dog actors, puppeteers, singers, specialty acts, sportscasters, impede performers, variety principal and voice or dialogue coaches. 2) foothold and conditions of their collective stipulationThe ACTRA agreement, with regards to independent production, sets forth the nominal set ups and working(a)(a) conditions under which Performers whitethorn be entangle in Productions produced by any method in Canada or on-location outside of Canada. The agreement covers a variety of issues that concern Canadian performers. Its purpose is to treasure the rights of the Performers providing in-depth information regarding possible situations that could arise objet dart in production. The sideline is a summarized list of how the agreement is separate:? realisation and application:includes information regarding a general application? comment of terms: this provides definitions for a variety of terms that are use with regards to contracts and productions. ?the obligations of producers: with regards to equal employment opportunities, harassment, stripped fees, security, credits and production guarantee. ?the obligations and qualifications of ACTRA and the Performers?conditions of engagement, cancellations and postponements?no strike and unfair result?grievance and arbitrament procedures?workdays, extra time and rest periods (including meal times, plant and wardrobe)?travel and expenses?working environments?upgrading and look-alike?nude scenes, risk performance, stunt performance & coordination? minors: working days, tutoring, dangerous work, presence of parents?auditions and interviews?series options, retakes, added scenes and audio think?credits, payment, institution fees, insurance & retirement plansAs the document is extremely lengthly, specific information can be obtained via the agreement itself, included in our package. 3) CompensationThe following is a copy of the ACTRA independent production rate card, which expand the Performers compensation rights. SECTION F1)Commitment letter / Deal memoranda / penalize Agreement:Short form contracts can be haggard up among parties to set out the raw materialterms that have been negotiated and concur upon. This short form agreementfacilitates quickly and efficient negotiations between parties. It is usuallyfollowed by a longer form agreement at a later date, once all the specificdetails have been worked out. However, a trueness letter or deal memo isno slight lawfully blanket, and thus should be considered with the same legalcautiousness as a formal agreement. It is a contractually binding document. This does not guarantee a project will proceed, notwithstanding a producer can useit to secure terms negotiated during the development period, such as thosethat pay between directors and writers. The long-form contract is usuallygenerated aft(prenominal) financing has been secured. Completion Guarantees:The cost of a production may exceed sign budget calculations. Completion guarantees are the agreements producers show into to ensure that funds are available to cover unheralded financial overruns. Investment agreements protect investors from further contributions beyond their initial investment so completion guarantees are employ to provide for more funds to complete a production. Producers arrange a completion bond with a completion surety who will cover any glut cost. This fee for the agreement is usually a stipulate luck of the production budget. A warranter will visit the production budget for accuracy and ensureadequate financing is in place to finance the project before write acompletion guarantee. Subsequently, a guarantor will use their funds tocomplete the project if the agreed-upon budget is exceeded. A guarantor reserves the right to step in and take over a production if he/she feels that theproduction is proceeding beyond its budget. If the guarantor is required to fund overruns, they are entitled to recouptheir loses from the proceeds of a production, once the initial budget costare returned to investors. Letter of adhesiveness:In order to use brotherhood elements in a non-union production, producers aremust sign letters of estimation. They agree to give birth by the terms, conditions, and minimum pay scales as defined in their collective agreements. (e.g. if using an ACTRA member, it must abide by the ACTRA Independent Production Agreement). write a letter of fond regard with one union does not truss a production toenter into collective agreements with other unions (except the Writers night club of Canada). garner of alliance could be signed with ACTRA, WGC, andDirectors Guild of Canada, but the rest of the technical crew and craftspeople may remain non-union. earn of adherence can be avoided if union members are paidnon-signatory judge plot of ground the rest of the production body non-union. The terms and conditions then are set as an independent agreement betweeneach crew member and the producer. However, this only applies for a singleproduction. Some unions require Letters of adherence to specify a time frame rather thana specific production, so that the producer must adhere to their collectiveagreement on any productions they engage in during that time period. Buyout:A buyout is a postpaid fee to actors and directors to cover all future andun restrict uses in influence media and territories for a limited time. This is used usually in perspective/or as part of royalty payments. It facilitatesthe producer to bundle up their ownership for limited term, so that he/shecan dispel the production independently, without clearing it each timewith all the single directors and actors. The buyout is usually based on a percentage, as outlined in the initialcontract between actors, directors and producers. It is paid in addition tothe basic fee for their services. Directors buyout can range from 25%-50%of their gross fees. SourcesACTRA Performers Guild. Independent Production Agreement- August 9, 1999- December 31, 2001Hehner & Sheffer. Making It: the Business of Film and Television production in Canada. Doubleday Canada hold in; Toronto, 1995. Sternberg, Jim. The Completion Guarantors. 65 Heward St, Toronto. http://indiepro.cbc.cawww.newsworld.cbc.ca/roughcuts/outlines If you necessity to get a full essay, order it on our website:
Ordercustompaper.comIf you want to get a full essay, visit our page: write my paper
