The Short Story Of Night - A C :: essays research papers

"The Short History Of Night" by John Mighton fierily seeks to expound upon the idea that societal disorder will eventually excise all levels of society despite any purposeful attempts to be detached, whether somatogeneticly, apply status or otherwise. Throughout many facets of the touch this thought is efficaciously echoed, more particularly in the atomic number 18as of forwardness design, healthful and light design, and part development.The utilization of levels in the set design is sensibly routined in what I believe, a twofold purpose. First, and more obviously, to create various somatogenetic levels on stage with the use of the raised circular portion as in the eyeshot with Kepler and his soon-to-be wife sitting on a pitchers mound awaiting his "prophesied" comet or with the depiction of Tychos observatory. On the other hand, this rise in physical level also produces a platform for a higher level of observation or rationale. Keplers wife, while stand ing on this upper level, would fetch to ponder and question her husband on various topics possibly beyond her characters intelligence level as inferred by her husbands response. It is ironic that she is also set at this level as she is "raving" during her interrogation on her troth with witchcraft. Therefore, following the same train of thought, the use of this arrangement suggests that her examiners, namely the Inquisitor, are merely acting out of ignorance.Most tangible however, is the complete mysterious appearance of the set that helps considerably to establish the notion that the play is a representation of place in a period of discord. The darkness of the set creates a sense of eerieness and obscurity that draws the audience into the social upheaval of this period. more interestingly, over the course of the play this "blackness" extends into the allusion of the lurking evils of the society and its possible percolation at any time on the unsuspecting. & nbsp   Working in fellowship with the set, to completely produce the aforementioned effect, is the sound and lighting design. Strikingly impressive, is the use of shadows to create scenes and evoke mood, as with the shadow representation of the forest creating the fit and generating a harrowing atmosphere -- perfect for Keplers secret journey to Tychos observatory. The sound and music successfully accentuate the growing conflict in the play with the extensive use of tension chords, particularly during the arrival of the Inquisitor and the scene changes, creating dissonant, chaotic-sounding tones.