Film Trailer Portfolio Essay -- Papers

Film Trailer Portfolio When the task of creating a film trailer was branch put to us, I had several(prenominal) ideas for the movies context. The first was of a movie in the action genre that dealt with revenge, whilst the other deuce were in the evil genre. The horror genre appealed to me more(prenominal), as a low budget film stick out still have the desired effect by use of contrasting filming techniques, and I precious to depend more on a psychological aspect. My first idea was to do a film intimately a poltergeist. I had watched several films such as Poltergeist, but wanted to create a film that relied less on visual effects, something that leant towards the way of Albert Hitchcock, who is still seen today as the Master of Suspense. This Poltergeist idea did bewitch me, but I could not think of a plot inscrutable enough, or original enough to capture an audience. The remaining idea was more original, and would create the correct feel of the horror genre. This idea leant more towards several horror films from the 1970s, when a crop of films also used religious undertones to immense effect. My idea was for an ancient relic to be uncovered that posed a threat to religion, an idea that didnt require special effects or extended production values. I took this idea and tried to further it by thickening(a) out the plot for the trailer. To do this, I researched other films in the resembling genre. I looked directly at three films from the last three decades, The exorcist, The Name of the Rose and The Sixth Sense. I was first attracted to these films by the techniques that had been used to produce the desired effect on the audience. The Exorcist (William Friedkin 1973)... ... on a Panasonic Digital Camera, and was edited using Pinnacle Studio software system on a PC. All of the footage was shot without the use of a tripod later on several experiments to see what presented the storyline the mos t effectively. Most notably at the beginning of the trailer, a short zoom shot towards a radio speaker was attempted with a tripod, but the elegant and fixed photographic camera movement lacked the character and ambience that was available when recorded handheld, especially with the steamy sound bite that accompanied the shot. I decided to use two different tints Editing during I dare not say I wanted the speed of the trailer to change when I was editing, from calm and high-pitched camera movement with slow transitions, to brisk and abrupt movement with fond transitions. This was my idea of representing chaos.